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I got a spam in all Russian today. It had this gif attached.
As far as I can tell, it says I can skydive, then be executed in the electric chair, then wrestle sharks...
Update: translation of the image courtesy of Diana: "Hypnotic extreme! Experience extreme sensations without leaving your house! "
Translation of the rest of the spam, courtesy of Google:
Pressure is no longer measured in pascals, the pressure is now measured in your emotions! Your body becomes harder than you ever could have imagined. You're like an ax, you go to the bottom, you colder and colder, and the body seems to wet and slippery. Formation of a salt sea increasingly oppresses you, a person covers a strong tension. When you try to raise their hands, you feel a shocking dizziness, blood is up to the eyes. You come out of hypnosis. You're still not afraid to fly :-)
Below I will try to convey the contents on the memory section Ad Herennium, adhering to the original author's mannerisms, but making a small retreat to reflect on what he tells us. Thus we have an example of the classical image of memory, consisting of human figures ≈ active, passionate, intriguing, and equipped with parts that can remember the whole "thing", imprinted in the memory. But although everything here seemed to be explained, I still have doubts about the effectiveness of this image. It seems that, like much of what is said in the Ad Herennium about memory, it sends to the world, who either do incomprehensible, or not become more understandable to us. 1 Section of memory in the Ad Herennium, III, HU1-HH1U. He came to the conclusion that wish to develop this ability (memory) must select places I form mental images of things that they want to remember, and then place these images on the ground, so the order of places to store the order of things, but images of things will be denoted things themselves, and we'll use these places and images, respectively, as the name plate of wax for writing and written them letters. 1 This amazing story of how Simonides invented the art of memory, says Cicero in his work "On the, he," when is talking about memory as one of the parts of rhetoric. This story contains a brief description of mnemonic places and images (loci and images) that were used in Roman rhetoric. Two other descriptions of classical mnemonics, but reducible Cicero, came to us as in the rhetorical treatises, where the memory is seen as part of the rhetoric, one of which is contained in an anonymous treatise Ad C. Herennium libri IV., Another ≈ Institutio oratoria of Quintilian. this art. Noticing that it was holding in the memory space of 1 Ad Herennium, III, XII. where guests were sitting, he was able to identify the body, Simonides realized that
As far as I can tell, it says I can skydive, then be executed in the electric chair, then wrestle sharks...
Update: translation of the image courtesy of Diana: "Hypnotic extreme! Experience extreme sensations without leaving your house! "
Translation of the rest of the spam, courtesy of Google:
Pressure is no longer measured in pascals, the pressure is now measured in your emotions! Your body becomes harder than you ever could have imagined. You're like an ax, you go to the bottom, you colder and colder, and the body seems to wet and slippery. Formation of a salt sea increasingly oppresses you, a person covers a strong tension. When you try to raise their hands, you feel a shocking dizziness, blood is up to the eyes. You come out of hypnosis. You're still not afraid to fly :-)
Below I will try to convey the contents on the memory section Ad Herennium, adhering to the original author's mannerisms, but making a small retreat to reflect on what he tells us. Thus we have an example of the classical image of memory, consisting of human figures ≈ active, passionate, intriguing, and equipped with parts that can remember the whole "thing", imprinted in the memory. But although everything here seemed to be explained, I still have doubts about the effectiveness of this image. It seems that, like much of what is said in the Ad Herennium about memory, it sends to the world, who either do incomprehensible, or not become more understandable to us. 1 Section of memory in the Ad Herennium, III, HU1-HH1U. He came to the conclusion that wish to develop this ability (memory) must select places I form mental images of things that they want to remember, and then place these images on the ground, so the order of places to store the order of things, but images of things will be denoted things themselves, and we'll use these places and images, respectively, as the name plate of wax for writing and written them letters. 1 This amazing story of how Simonides invented the art of memory, says Cicero in his work "On the, he," when is talking about memory as one of the parts of rhetoric. This story contains a brief description of mnemonic places and images (loci and images) that were used in Roman rhetoric. Two other descriptions of classical mnemonics, but reducible Cicero, came to us as in the rhetorical treatises, where the memory is seen as part of the rhetoric, one of which is contained in an anonymous treatise Ad C. Herennium libri IV., Another ≈ Institutio oratoria of Quintilian. this art. Noticing that it was holding in the memory space of 1 Ad Herennium, III, XII. where guests were sitting, he was able to identify the body, Simonides realized that
